![]() There were issues, I read, initially with some of the effects in the Microcosm not being triggered because of something to do with input levels (basically was advised that you need a compressor to get it to work). So does BOSS RC300, and the Roland RC505. And on a run to the left side, Blooper definitely did not. Biggest competitor is Microcosm by Hologram. I have a Timeline and a Mercury 7 so definitely sorted for a nice delay and reverb, but aside from all the amazing sounding granular/looping/glitch sounds, it’s always good to have a second delay and reverb. A big part of the appeal of the M is the workflow and amount of modulation possible. On Saturday, Blooper used those talents again, this time in a game against youth football players at Mercedes-Benz Stadium in Atlanta. You can play some tricks to use the modifiers live on Blooper, but its pretty rigid once youve set it. The Mood is very capable, but i have a nice reverb and delay so again i don't use it as much as I should. I also have the blooper, so that's another reason i use the mood less.Īs stand alone effects, delay, reverb etc. The microcosm can be a looper, a wired noise maker, do layered loops. I find the micro looper part of the mood a bit of a one trick pony, but that could be me not really trying to push it, and i never really get on with the dip switches on CB stuff, too hard to access in my set up. i’m torn between this, a blooper, or a microcosm but the apparent ease of use of the cosmos might tip the scales. Chase Bliss Audio MOOD + Blooper vs Hologram Microcosm. I own both the Mood and the microcosm, and of pick the microcosm hands down, but you do get a micro looper + effects, and the effects are more 'stand alone' than the microcosm.
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